![]() ![]() Bohanna described the production as "a proper assembly line." Bohanna explained in an article for EW that "all the drawing, all the prototype work, all the modeling, all the casting, all the fabrication, artwork, and assembly were done in-house,". Over the course of five months, the team of production's lead builder, Pierre Bohanna, handcrafted more than one hundred suits each consisted of three-hundred-and-twenty custom-made components and one-hundred-and-fifty "off-the-shelf" pieces (nuts, bolts, etc.). "As if to say she had been to Hell and back and lived to tell about it," Liman explains in a profile for the Motion Picture Association. The exosuit worn by Blunt's character, Rita, features red slash marks across its chest. It then fell to costume designer Kate Hawley to realize the more aesthetic touches of the design, from military-appropriate color palettes to surface treatments. These articulated axes allowed the suits to bend naturally with the movements of their pilots. This included hinges that matched the organic joints of the human body. Two-dimensional concept art and three-dimensional foam mock-ups eventually led to the creation of an aluminum prototype that effectively set "the rules of the suit," as Bohanna puts it. ![]() " is more taking its keys from actual developments that the military is doing and going back into more traditional forms and shapes that just convey more mechanics and hydraulics rather than slick engineering." Cruise provided pre-shoot creative input to the team, reportedly proposing that the armor ought to register with the same emotional impact often captured in war photography: a bleak toughness that also speaks to the humanity of the individuals venturing out into the battlefield. ![]() "They are not shiny, slick, beautiful designs," specifies production designer Oliver Scholl in the home video release bonus featurette Edge of Tomorrow: Weapons of the Future. Ultimately, both Liman and Tom Cruise lobbied to approach the suit as practically as possible Collaborating with a number of departments, prop master and suit modeler Pierre Bohanna oversaw the design of the suits. Per a profile in issue #139 of Cinefex magazine, the filmmakers did initially consider outfitting the performers in minimal armor and tracking the majority of the suit digitally. The key challenge of the exosuits was creating an armored suit that was both credible as a piece of military equipment and functional as a camera-ready, stunt-proof costume. "He just stared at me for a long time, not knowing what to do, and he goes, 'Come on, stop being such a p-y, OK?'" she said, adding it caught her off guard and made her laugh. "I said, 'I'm feeling a bit panicky about the whole shoot.'" Cruise's alleged response had her weeping again but in a good way. "I was like, 'Tom, I'm not sure how I'm going to get through this shoot,' and just started to cry," she admitted. "The first time I put it on I started to cry, and didn't know what to do." Blunt said Cruise "stared at her" as she got more panicked about donning the heavy suit. There was nothing cozy about these suits. She said Cruise told her to "stop being such a p-y" as she struggled with her 85-pound costume "We had to wear these enormous suits, which I think would've been great if we had CGI'd them, but we wanted to do it in a tactile way," she revealed on the "SmartLess" podcast "When you hear the word 'tactile,' you think that sounds nice and cozy. Emily Blunt claims Tom Cruise gave her some unconventional yet motivating advice when they worked together on the film, she recalled her Hollywood co-star delivering some tough love on the set of the 2014 action flick, a departure from her typical rom-com fare. ![]()
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